設計師容易只看到材料的表面性能，如紙張的紋理、花色和顏色，沒有進一步了解紙張強度、挺度等特性。我們要知道精裝書的皮殼要有足夠的強度，否則槽溝的地方就很容易破裂，原色紙看起來還不太明顯，但染色紙就很容易被發(fā)現(xiàn)，影響美觀；內(nèi)文紙則要考慮挺度，這關乎翻閱的舒適度，太厚了會硬，太薄了又會軟，薄紙雙面印刷還會透色。

Designers tend to only see the surface properties of the material, such as the texture, decor, and color of the paper, without further understanding the strength, stiffness, and other characteristics of the paper. "We need to know that the cover of a hardcover book must have sufficient strength, otherwise the grooves can easily crack. The primary color paper may not seem obvious, but the dyed paper can be easily found, affecting its aesthetics."; The stiffness of the text paper should be considered, which is related to the comfort of flipping through it. If it is too thick, it will become hard, if it is too thin, it will become soft, and if it is printed on thin paper on both sides, it will also show color.

其次，他們有時不太考慮材料是否適合印刷，比如燙透紙只適合燙和壓，如果用來印刷就不夠強度，顏色容易剝離。再次，在選擇布料和皮料時容易忽略很多細節(jié)問題，例如包邊之后，邊沿會不會出現(xiàn)毛邊，是否會出現(xiàn)痕跡，包邊厚度是否能接受，尤其是皮料一般有0.5毫米左右的厚度。

Secondly, they sometimes do not consider whether the material is suitable for printing. For example, ironing paper is only suitable for ironing and pressing. If used for printing, it is not strong enough and the color is easy to peel off. Thirdly, it is easy to overlook many details when selecting fabrics and leather materials, such as whether there will be burrs on the edges, traces, and acceptable thickness of the wrapping, especially when leather materials generally have a thickness of about 0.5 mm.

此外，皮料也較柔軟，沒什么挺度，設計師是否能接受這樣的感覺。他們比較容易忽略屏幕圖像和印刷實物的色差，選擇的材料可能無法做出想要的效果，比如看到的紅色圖片印在偏藍的紙上就會有偏色，我們一定要做好預估。

In addition, the leather material is also relatively soft and has no stiffness. Can the designer accept this feeling. "They are more likely to ignore the color difference between the screen image and the printed object, and the selected materials may not be able to achieve the desired effect. For example, when a red image is printed on bluer paper, there will be color bias. We must make a good estimate.".

于如何避免印壞的情況，除了注意前面提到的問題，必要時要找到有相關經(jīng)驗的同事多交流，以及參考相關的樣品，實在不行，就要做一個樣品進行測試。面對陌生或新的材料和工藝，誰也不能憑一眼就判斷出可行性或印刷效果。與同行溝通經(jīng)驗、總結、分享、領悟等都是很重要的。

As for how to avoid printing damage, in addition to paying attention to the issues mentioned above, it is necessary to find colleagues with relevant experience to communicate and refer to relevant samples when necessary. If this is not feasible, a sample should be made for testing. In the face of unfamiliar or new materials and processes, no one can judge the feasibility or printing effect at a glance. It is important to communicate experiences, summarize, share, and comprehend with peers.

此外濟南彩色設計印刷廠家提醒您，了解印刷理論是一回事，而熟悉印刷操作又是另一回事。就算你能把印刷知識倒背如流，也不能保證在環(huán)環(huán)相扣的印刷流程中不會“翻車”，何況印刷材料和工藝推陳出新，靈感不斷叩擊創(chuàng)意的天花板，你總摁不住想進行印刷實驗的手。

In addition, Jinan Color Design and Printing Factory reminds you that understanding printing theory is one thing, while being familiar with printing operations is another. Even if you can recite printing knowledge like a stream, there is no guarantee that you will not "roll over" in the interlocking printing process. Moreover, printing materials and processes are constantly innovating, and inspiration continues to tap the ceiling of creativity, making it impossible to hold down the hand that wants to conduct printing experiments.

因此，在印刷作品的設計中，印刷經(jīng)驗的分享是十分重要的，特別是前人在印刷事故多發(fā)路段豎起的警示牌和極限風景的探險攻略。更多相關內(nèi)容就來我們網(wǎng)站http://www.helloyong.com咨詢了解！

Therefore, in the design of printed works, sharing printing experience is very important, especially the warning signs erected by predecessors on road sections prone to printing accidents and exploration strategies for extreme landscapes. For more relevant content, please visit our website http://www.helloyong.com Consult and understand!